Funhouse

Full-cabinet photograph of an electro-mechanical-style pinball playfield seen under a locked glass cover, with a modern red seven-segment LED score display retrofitted in the lower cabinet front. The playfield is framed by plain light wooden side rails and a wide bare aluminium apron strip across the bottom. Artwork is a lurid carnival/funhouse scene in saturated yellow, scarlet red, royal blue and black. Dominating the upper playfield is an enormous disembodied clown head with shaggy black hair, heavy blue-lidded eyes, a bulbous red nose and a sly squint, leaning in from the right. A tall vertical scoring ladder of rectangular windows runs up the upper left, each with a round white insert lamp, and an orange-suited jester figure stands beside it. The centre of the lower playfield is dominated by a large circular clock-face or roulette-wheel target: a cream dial ringed with red numerals 1-15, a red centre boss, and eight gold arrow pointers radiating outward, mounted on a red-and-yellow starburst. A round clown face with a ruff and a grinning yellow-gloved puppet hand appear near the flippers, and a woman's face in profile with a small hat is painted on the right mid-playfield beside a star-and-bell motif. Two red-bordered instruction cards fill the lower playfield, the left one a dense block of yellow rules text, the right one a title card with an illuminated bulb graphic. Condition is good apart from heavy glass reflections and a rectangular reflection patch on the upper left.

A brightly lit, heavily varnished electro-mechanical playfield photographed in its cabinet, with a cream and red left lane, a deep blue outer field and a red-and-gold central wedge. The most striking element is a huge disembodied cartoon head at the top: a pale fleshy boyish face with heavy black hair, arched black brows, droopy half-closed blue eyes, red circular cheeks, a small snub nose and pursed lips, wearing a red jacket with white shirt collar. A big green escalator ramp descends diagonally from upper right to centre left. At the centre sits a large gold-rimmed circular dial like a clock face, ringed with round yellow numbered windows (5X, 10, 15, 20, 25, 30, 35, 40, 45, 50, 55) and filled with gold arrow pointers radiating from a red hub. Below it the FunHouse script logo sits above a painted grinning man in a red cap. Four triangular rollover lanes show $20,000, $30,000, $40,000 and a yellow 3X VALUE wedge. A pair of yellow-sleeved pink flippers and red posts at the lower centre. Around the edges are gilt-trimmed pillars, cartoon faces, a giant yellow hand at the right apron, and a rule placard at lower left.

A circus- and funfair-themed playfield seen under glass in a full blue-cabinet shot. The upper third is dominated by a huge grinning clown head with a brown bowl-cut wig, red nose, white face makeup and red cheek circles, rising from a painted funfair midway backdrop. Across the top edge sit four round gem-like inserts (blue, red, pink, pale blue) and a small yellow star plaque, with printed name tags reading RUDY, OLIVE, TRIO and ZERO MISS. The middle of the field is dominated by a large ornate circular carousel wheel: a gold-braided ring enclosing white arrow pointers radiating from a small painted carousel canopy, with a ring of round black lettering plaques around its rim. Two thin silver wire ramps run diagonally from the left mid-field up to the right. The lower playfield carries two yellow-and-magenta striped flippers with a grinning clown face between them, a fan of red triangular inserts above, and a small dark skull medallion below. Bright pink, red, yellow and blue light shows flood the lower field, with many blue and pink lamps lit. The apron below the playfield is painted with a red-and-yellow script logo on a scroll panel, flanked by a black instruction card headed Playfield and a matching card reading INSTALL 3 BALLS / FREE PLAY, plus a QR code sticker at far left. The cabinet front repeats the same scroll logo in yellow and pink.

A painted amusement-park funhouse scene in bright cartoon airbrush style. Across the top, an enormous marquee script title reading FunHouse, in red-orange letters studded with rows of round yellow light bulbs and outlined in cream, with a real white-faced pocket watch set into the bowl of the capital F. A smiling fairground barker dominates the centre: a giant disembodied head with a red polka-dot headband, thick black brows, wide blue eyes and an open grinning mouth, rising out of a white castle wall with his two oversized hands held out to either side. To the upper right a grinning man in a navy blue suit jacket, white shirt, big red bow tie and dark gloves leans in from the right, one arm flung up towards the logo, a gold pocket watch swinging on a chain from his waistcoat. Behind the head is a white fairytale castle with a green conical roof, a tall spiral yellow slide, arched doorways, bunting and a figure in a red hat standing on a stair landing. The left and lower left are packed with a jostling crowd of children and adults reaching upwards, a cluster of red, blue and yellow balloons, and midway signboards. The lower right has a gold-framed red ticket dispenser panel with cream and red stars. Deep blue night sky background scattered with stars, coloured spotlights and red kite shapes.

A landscape-format backglass with a lurid cartoon horror-fairground painting. Across the top sits a huge bulb-studded marquee logo in red and gold reading 'FunHouse', the capital F and H oversized, with a clock face set into the bowl of the F; beneath it in smaller mixed script and jagged dripping letters is 'Rüdy's NIGHTMARE'. Behind the logo a purple stormy sky, green-red striped tent canopies with yellow scalloped trim and tiny red pennant flags, and a yellow balloon at top left. Two enormous disembodied flesh-toned hands with red cuffs reach in from upper left and upper right, palms out and fingers splayed, the right one glowing yellow. Five identical-looking startled ventriloquist-dummy boys crowd the middle and lower half: one central figure in a bright blue tailcoat, white shirt, oversized red bow tie and red cap, mouth gaping with a black-and-red spiral tongue; two flanking him in matching blue tailcoats and red bow ties thrown sideways with arms outstretched; a fourth at right in a torn orange shirt; and a fifth behind with red hair, glasses and a stitched, scarred jaw, mouth open. A grotesque purple-and-red rubber snake or dragon mask with a lolling tongue and a hooked yellow horn looms at left, beside a green frog. Flames and a red glow erupt behind the central group, and pale grey smoke curls along the bottom edge.

Painted amusement-park scene on a deep navy night sky scattered with white stars. Across the top runs the huge curved script title FunHouse in red letters filled with rows of round yellow marquee bulbs, outlined cream with a heavy red drop shadow; the big F incorporates a pocket watch whose white face reads 12, 9 and 3. A white crenellated castle with green conical roofs spans the middle, with a yellow spiral water slide on the left, tiny guests in arched doorways and a clown on a yellow slide. On the right a grinning dark-haired man in a light blue tailcoat, red bow tie, white gloves and gold watch chain stands on a yellow ticket kiosk, one arm flung up and the other hand extended. Centre stage is a huge floating head of a red-lipped, blue-eyed woman with a red polka-dot headband, above pale blue robotic hands holding a silver camera and a blue-suit figure. Bottom left is a crowd of blue-painted people and clowns with red, white and blue balloons. Bottom right a red sign reads TICKETS / Funhouse / CLOSES AT 2:00 Sharp!

A full backbox assembly shot framed by dark wood rails, showing a painted backglass above a lower instruction panel. The backglass is a lurid night-time funfair scene under a deep purple and blue starry sky, with a white crescent moon at top left, hot-air balloons, fireworks bursts and a fairground skyline of onion-dome turrets, a helter-skelter slide, a grinning clown face gateway and a roller-coaster track. Across the top, an enormous curved script logo reads FunHouse in red-and-white striped marquee-bulb lettering with a red drop shadow; the capital F contains a clock face and a long striped flourish sweeps right. Three large figures dominate: at left a red-haired woman in a red-and-white corseted showgirl costume with a black feather boa and white opera glove, finger raised to her lips; centre a wide-eyed, top-hatted grinning man with a red polka-dot bow; at right a wild-eyed man in a blue coat and ruffled white shirt, red bow tie, gold pocket-watch chain, one arm thrust up pointing. Below them a dense crowd of laughing heads, hands, popcorn tubs, a gold horseshoe and a blue cup. At lower right a red-and-gold striped ticket booth marquee. The lower panel has carved gold acanthus scrollwork, two speaker grilles, two backlit screen inserts and centred yellow-and-red script instruction text.

A wide cartoon backglass with a purple-and-black night sky background streaked with pale cloud bands, a big yellow balloon top right and a smaller one at upper left, and a grinning yellow crescent moon with a face peeking in at the far right edge. Across the top sits a large marquee-style logo in curving script, dotted with round bulb lights like a carnival sign, with a clock face set inside the capital F. Below the logo a single clownish male head rises from the middle wearing a tall purple-and-orange striped top hat, a small red-tipped cap, and a red ruffled collar, his mouth wide open in a scream. Flanking him are three more open-mouthed, wide-eyed male clown heads and a full-bodied grinning ape in a ruffled collar on the right. Two giant flesh-toned hands with splayed fingers reach in from both upper sides. Lower down, three identical white-gloved arms in bright red sleeves stretch horizontally outward with open palms. At far left a red long-snouted cartoon dragon or devil head with yellow horns and a white spiked collar grins beside a dark witch hat with a green band. A crowned and sceptred king head with a white beard and a gold crown sits at lower right. Dominant colours are bright red, purple, yellow, and flesh pink, in a flat heavy-outlined cartoon style.

A brightly coloured cartoon-style backglass dominated by a huge marquee-style title across the top: curving red script letters with a white drop shadow, filled with rows of glowing yellow light bulbs like a fairground sign. Behind and below is a white fairytale castle with green conical roofs, crenellated towers and a yellow spiral helter-skelter slide wrapping a tower on the left. Two grinning showmen dominate the centre: a huge floating head of a boy-showman with a red-and-white polka-dot cap, wide eyes, red lips and outspread hands, and, to the right, a full-length smiling man in a blue tailcoat, red bow tie and gold pocket watch on a chain, one arm thrown up. A dense crowd of blue-tinted, wide-eyed spectators fills the bottom edge, one man holding a box camera on a monopod and another clutching a paper cup. Bunting and confetti cross the deep blue night sky. Posters on the left wall read ALIVE! THE WILD! BOY and SO FUNNY! MADAME MAG!, and a red-and-gold ticket kiosk in the bottom right carries a star cut-out.