Space Shuttle

Playfield of a 1960s electro-mechanical space-combat game, photographed under glass with the silver coin door and legs of the cabinet below. The field is dark navy blue with scattered yellow stars and white starbursts, dominated by a huge yellow-and-orange atomic starburst exploding upward from the bottom centre between the two flippers. A ring of eight small white circles marked 2,000 and 3,000 encircles a silver cylindrical spinner housing at centre, with a stepped BONUS MULTIPLIFIER tower below it carrying X2, X3, X4 and X5 in white ovals. Two groups of three stubby rocket-shaped targets with red noses and orange ribbed bodies sit left and right of a central vertical lane marked with a 3 and a 5. The upper playfield is crowded: four red pop-bumper caps printed with a black star sit inside jagged yellow starburst rings, a red circular 'BALL ESCAPE' wheel glows between them, and a large chrome one-way gate arches over the upper right. At right a small figure in a silver spacesuit and bubble helmet raises one arm. Two pale-blue and purple concentric swirl plastics flank the lower playfield, and red rubber-sleeved flippers sit above a yellow burst reading CROSSBEAM. A cream instruction card titled SPACE BATTLE is riveted to the lower left, with a blue QR code at lower right.

Full-length portrait view of an electro-mechanical solid-state playfield, photographed flat with its chrome side rails and black cabinet interior visible at the edges. The centre is dominated by a three-storey Victorian house with a steep gable, lit yellow windows, a red door and a small skull figure standing in the upstairs window, with the words HOUSE OF HORROR printed on the gable face. Above it, a huge open fanged mouth ringed by two smaller grinning mouths, a pale blue monstrous head with three eyes, a green-faced ghoul and a large yellow cyclops eye on a curved track down the right side. A narrow left ramp and a wider right ramp sweep from the lower flippers to the upper lanes. Colour is dense and comic-book-like: teal-blue background, bright red and yellow plastics, cream house siding and black lower-deck field. Lower centre has a cluster of eleven white number rings 1 to 11 under the words BALLS IN PLAY.

A wide, landscape-format backglass with a black outer wooden frame and a star-speckled black sky. Four red seven-segment LED score displays sit in cream-and-orange bordered panels at the four corners, each paired with a player number (1, 2, 3, 4) printed on an orange-and-white comic starburst. Huge three-dimensional block letters spelling SPACE SHUTTLE run diagonally down the centre in yellow-to-orange gradient faces with thick white and black drop shadows. Three aircraft fly left-to-right across the lower centre: a large white-and-orange four-engined passenger jet with a needle nose probe, a white delta-winged winged shuttle orbiter mounted on a black external tank, and a slim white-and-black swept-wing fighter with a pointed nose and two black intakes. A huge yellow starburst explosion radiates behind them against radiating blue and white speed lines. Right of centre sits a black HIGHEST SCORE window with a NAME strip, an orange TILT and MATCH pair of buttons, and a CREDIT window showing 47. Near the bottom is 1 to 4 CAN PLAY above four round red-orange indicator lamps, an orange GAME OVER label, a solid orange arrow motif at bottom left, and a small orange rectangular plaque at bottom right. Style is glossy airbrushed 1980s commercial illustration.

A horror-themed backglass painted in airbrushed realistic illustration style. Upper half is a night scene: a sinister grinning man in a wide-brimmed hat looms at top centre, lit sickly green, raising a long knife or machete with a huge yellow-white blade cutting diagonally across the picture. A full moon with clouds sits at top right. Left of centre, a dark Victorian farmhouse with steep shingled roof and glowing yellow windows stands against a black sky with bare twisted tree branches. The main title 'HORROR' runs diagonally across the upper left in dripping blood-red jagged letters with a black shadow. Lower half shows a line of four survivors in front of a graveyard with headstones and a cross: at far left a pale woman's face with blue eyes and a tall beehive hairstyle; a brown-haired young man in a dark jacket; a blond man in a padded jacket pointing a shotgun straight at the viewer; and a bloodied, scarred blond man with a torn shirt. Colours are black, blood red, sickly yellow-green and flesh pink, with hot yellow window and display glow. Six seven-segment LED windows show red digits.